加一
性饥渴艳妇性色生活片在线播放
影片信息
- 状态：HD
- 主演：蒋佳伊/范梓沐/
- 导演：蒋能杰/
- 年份：2016
- 地区：大陆
- 类型：记录/
- 时长：内详
- 上映：未知
- 语言：国语
- 更新：2025-11-09 23:10
- 简介： (👷)本片 荣获第四届深圳青年影像节纪录片类(🛍) 最佳创(chuàng )意(yì )奖 ，香(🎹)港中文(wén )大(dà )学、 第(dì )二届中(zhōng )国民族博物馆(guǎn )(👋) 永久收藏奖 。 有(yǒu )意想观看的，可联系(xì )(🙍)版权方微信(🛹)：1714371600 (🚸) 《加一(🥀)》颠(diān )覆大众对留(liú )守儿童的固(gù )(🧚)定思维，以独特的视角呈现最真实的留守儿(🥎)童生(shēng )活(🗞)。 加一是一(㊙)名留守儿童(tóng )，父母常(cháng )年在外打(👃)工，每次短暂的(😍)相(💠)聚都会牵动加一幼小 的心灵：长(🌮)途(👣) 跋涉和爷爷(yé )去看望在(zài )外(👊)打工的父母(🦇)，离别时躺(tǎng )在爸爸腿(tuǐ )上静静(jìng )落泪；春节过后妈(💯)妈提前(qián )出去(qù )打工，没有说再见是因为偷偷躲在被 窝里泣(🥅)不成声。然而父(📐)母离(🌂)开(🔙)后生活依然要(🔫)继续，忍(rěn )受(shòu )过难尝(cháng )(🚽)的别离(lí )滋味(🕕)后，依然要忘(🍺)掉(diào )烦(🐂)恼，快乐地和同学玩耍(✖)，淘气地逗哭(kū )弟弟后(🏸)又像大(🈺)人(rén )一样哄(hǒng )着他。每天和弟弟徘徊在哭(🖱)与笑之间，就这样在痛与(yǔ )(🛃)乐中成长(zhǎng )着(zhe )。 留守(shǒu )(🐣)儿童并(🎆)不是“苦逼”的代名词，他们有他(tā )(🏁)们(men )(🍏)的(de )快(♈)乐，有(😄)他(🤠)们(🐑)的(de )纯真(😙)，他们也(yě )确实要忍受不一样(🏒)的孤(🎆)独和(hé )无奈。大(🏉)时(🌸)代下的小人(rén )物(👎)，他们的生(shēng )(🏓)存(cún )状(zhuàng )(🤳)态(tài )是(shì )这(🛫)个(gè )时代的特殊印(🍏)迹(jì )。 (😕) The documentary, “JIAYI”, adopts a particular position from where it objectively and non-discriminatingly uncovers a real world of these left-behind kids in rural area in China, which overthrows the social stereotyping towards this special group existing in the remote and underdeveloped regions. JiaYi, one of these unattended children, cherished every single reunion with her parents who work as migrant labors: she would travel thousands of miles with her grandfather to visit them lying on her father’(🍛)s leg and crying silently is her way of resisting saying goodbye Tears flooded her eyes so violently that she didn't says any words when her mother had to leave earlier than planned to start working during the spring festival. However, life goes on no matter they are ready or not. She struggles to survive in the suffering of separation while at the mean time, she must learn to forget this painfulness and pretend to live like a normal kid who enjoys her time in school with peers. She, like a mature adult, can make her younger brother cry and then burst into laughs. Their life is filled with tears and laughter as they grow up happily and toughly. “Sadness” is not supposed to be the first image of these unattended children. Even though they have to withstand the loneliness and desperation that are not normally experienced by their peers, they still have their share of happiness and innocence. They contribute to maybe a minor section of this era but their very existence still leaves marks on this thriving generation filled with variations.
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377次评分剧情简介
(👷)本片 荣获第四届深圳青年影像节纪录片类(🛍) 最佳创(chuàng )意(yì )奖 ，香(🎹)港中文(wén )大(dà )学、 第(dì )二届中(zhōng )国民族博物馆(guǎn )(👋) 永久收藏奖 。 有(yǒu )意想观看的，可联系(xì )(🙍)版权方微信(🛹)：1714371600 (🚸) 《加一(🥀)》颠(diān )覆大众对留(liú )守儿童的固(gù )(🧚)定思维，以独特的视角呈现最真实的留守儿(🥎)童生(shēng )活(🗞)。 加一是一(㊙)名留守儿童(tóng )，父母常(cháng )年在外打(👃)工，每次短暂的(😍)相(💠)聚都会牵动加一幼小 的心灵：长(🌮)途(👣) 跋涉和爷爷(yé )去看望在(zài )外(👊)打工的父母(🦇)，离别时躺(tǎng )在爸爸腿(tuǐ )上静静(jìng )落泪；春节过后妈(💯)妈提前(qián )出去(qù )打工，没有说再见是因为偷偷躲在被 窝里泣(🥅)不成声。然而父(📐)母离(🌂)开(🔙)后生活依然要(🔫)继续，忍(rěn )受(shòu )过难尝(cháng )(🚽)的别离(lí )滋味(🕕)后，依然要忘(🍺)掉(diào )烦(🐂)恼，快乐地和同学玩耍(✖)，淘气地逗哭(kū )弟弟后(🏸)又像大(🈺)人(rén )一样哄(hǒng )着他。每天和弟弟徘徊在哭(🖱)与笑之间，就这样在痛与(yǔ )(🛃)乐中成长(zhǎng )着(zhe )。 留守(shǒu )(🐣)儿童并(🎆)不是“苦逼”的代名词，他们有他(tā )(🏁)们(men )(🍏)的(de )快(♈)乐，有(😄)他(🤠)们(🐑)的(de )纯真(😙)，他们也(yě )确实要忍受不一样(🏒)的孤(🎆)独和(hé )无奈。大(🏉)时(🌸)代下的小人(rén )物(👎)，他们的生(shēng )(🏓)存(cún )状(zhuàng )(🤳)态(tài )是(shì )这(🛫)个(gè )时代的特殊印(🍏)迹(jì )。 (😕) The documentary, “JIAYI”, adopts a particular position from where it objectively and non-discriminatingly uncovers a real world of these left-behind kids in rural area in China, which overthrows the social stereotyping towards this special group existing in the remote and underdeveloped regions. JiaYi, one of these unattended children, cherished every single reunion with her parents who work as migrant labors: she would travel thousands of miles with her grandfather to visit them lying on her father’(🍛)s leg and crying silently is her way of resisting saying goodbye Tears flooded her eyes so violently that she didn't says any words when her mother had to leave earlier than planned to start working during the spring festival. However, life goes on no matter they are ready or not. She struggles to survive in the suffering of separation while at the mean time, she must learn to forget this painfulness and pretend to live like a normal kid who enjoys her time in school with peers. She, like a mature adult, can make her younger brother cry and then burst into laughs. Their life is filled with tears and laughter as they grow up happily and toughly. “Sadness” is not supposed to be the first image of these unattended children. Even though they have to withstand the loneliness and desperation that are not normally experienced by their peers, they still have their share of happiness and innocence. They contribute to maybe a minor section of this era but their very existence still leaves marks on this thriving generation filled with variations.
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